A new Killers single was released yesterday. I'm not personally a huge fan of Brandon Flowers et al, but I did see them in concert a few years ago in Central Park and they were pretty good. Hot Fuss, The Killers debut album released in 2004 was decent for what it was and included some pretty cool songs:
Smile Like You Mean It:
Somebody Told Me:
The group's sophomore album, Sam's Town (2007) was a good-intentioned swing and miss at making an arena rock album and featured the sub-par single "When You Were Young":
The band's third studio album, Day & Age is set to be released later this year (November 25th, to be exact) and will feature the single, "Human." In my view, Hot Fuss was a somewhat OK album and its been downhill from there, but judge for yourself:
Has anyone else noticed the influx of the "talkbox" effect in mainstream rap as of late? This aurally pleasing effect of auto-tuning ones voice to hop between different pitches in different registers has become one of the most popular tools in the rap game. from Kanye West, to T-Wayne, to E 40 (joke), this over the top doodad (sp) can be heard on almost any recent song from the past couple months or so. Im not debating whether or not this effect has been in use for a decently long time. It has. I remember (and I am sure my generation remembers too) of a certain techno pop group called Eiffel 65, who pretty much killed the talkbox effect in modern pop, at least for awhile. Even before Eiffiel 65, Guitarist and Songwriter Peter Frampton utilized the talkbox to be intwined with his guitar playing, something that is very strange, but not unpleasing to the ear.
I just dont feel that in the longterm, this effect will continue to shine as one of billboard rap's leading attractions.
What's more exhilarating, more intoxicating, and sexier than Latin dance? Nothing. Period. I listen to my fair share of American and European electronica; anything that makes me bob my head and tap my foot. But never in my life have I felt the need to get up out of my vinyl blue chair, fly to Argentina, find a sexy Argentinian lady, and do the tango. I have always wanted to feel this need, and up until a week ago, I thought this desire was unattainable. But then, in a miraculous moment, the Music God heard my prayers, and sent to me, Bajofondo!
Bajofondo is a group of producers and musicians, led by Gustavo Santaolalla (a mega producer who has contributed to the music in films such as The Insider and Babel), whose objective is to seamlessly blend tango with modern electronica. This fusion of styles creates an uplifting, invigorating sound. The tracks combine traditional acoustic instruments (accordian, piano, and violin) with programmed beats and sampling, as well as vocals on some tracks. Nelly Furtado, Julieta Venegas, and Elvis Costello are all featured on "Mar Dulce." The album opens up with "Grand Guignol," a drum n' bass driven song that shifts effortlessly from booming piano chords to a tasteful accordian solo, with a drum track pumping all the way through. This tune sets the stage for the rest of "Mar Dulce," which never loses its edge and never produces anything but sheer brilliance. "Ya No Duele" and "Pa' Bailar" will rock any party, that is, if you party with people that have good taste, and "El Mareo" and "Pulmon" will soothe your earbuds, that is, if you have good taste.
Welcome electronic tango into your world of music. Not only will you be amazed by the album but Bajofondo will expand your horizons and get you listening to music you never thought you would be listening to.
Jack White. Since rising like a phoenix from the ashes of a dying Detroit garage scene, White has become a defining figure in modern music. Not only has he stayed true to his garage roots by recording some of the finest albums from the dawn of the new Millennium, but White has worked with artists from Lorretta Lynn to now Alicia Keys. This brings me to the point of my post on the man. White. Jack White. As hopefully some of you out there know, White has recorded the title track for the new Bond flick, Quantum of Solace, starring buff and blond superman Daniel Craig. While the film hopes to live up to Craig's debut as Bond in 2006's Casino Royale, White's track, entitled "Another Way To Die" and featuring Ms. Keys, has little competition from Royale's title track. Some of you may remember Chris Cornell's foray in Bond-land with "You Know My Name," but "Another Way To Die" already outshines it even though it was only released as an instrument for a Coke commercial so far. I eagerly wait for October 28, when the full song will be released. I can only hope its as tasty as new Coke Zero Zero Seven.
Four days ago, Seth MacFarlane, the creator of Family Guy and American Dad, launched the first in an online series of cartoon comedy shorts. He intends to release a new one every week and they can be found either on youtube or his website.
Warning: If you are one of those people who hate the random cut-aways that occur bi-minutely on Family Guy, this probably isn't for you.
Super Mario Rescues The Princess:
Why Bob Marley Should Not Have Acted As His Own Attorney:
While everyone was posting their summer playlists and trying to hold onto the past, I decided to look into the future, to find something new, to find something to look forward to. Glancing into the New York Times' Arts section yesterday, I found exactly who I was looking for: Alex Chechile and his digital electroencephalograph. In simple terms, an electroencephalograph, or EEG, measures the waves produced by the brain and transcribes them down onto, in his case, a computer. What makes Chechile so special is how he takes something so far from music and creates noises a common instrument is unable to create. By connecting his head to the EEG, then the EEG to his computer, he is able to record the waves of his firing neurons, convert them into sound and edit the noises he, in a way, "imagines" by using software on his computer and better yet, is able to do all of this live without delay. His sound is very comprable to the supposed "drugs" from the Japanese scientists of i-Doser. Brooklyn's Chechile is now teaming up with Mercury Rev, a psychedelic rock band reminiscent of the Flaming Lips, to produce a live sound never seen before. Their first show ever together was last night at a small club in East Village and while Mercury Rev's seventh studio album, Snowflake Midnight, is planned to be released the 29th of September, Chechile came on board after they recorded it. Below is some of Chechile's Brain Music and Mercury Rev's track entitled "Goddess on a Hiway". Future: 1, Past: 0.
Mr. West debuted his new single, Love Lockdown, off his upcoming album, 808's and Heartbreak, on Sunday at the VMA's and left everybody shocked. Throughout the performance, he left us waiting for the beat to kick and a verse to rip, but he just continued to sing. It definitely sounded like it was missing something, and that was probably rapping. Though it sounded a little off at the VMA's, I was optimistic, hoping it would sound better on CD quality, but that was even more of a disappointment. The production isn't bad but his vocals don't work at all with the hook. It sounds even more overproduced on mp3, and Kanye has crossed the line with the Vocoder (T-Pain) effect. We all loved it on the Lollipop Remix and Put On, but now Yeezy's inner longing to sing is becoming apparent and is getting played out. Even though this is a sub-par Kanye single, I don't doubt that it will be successful just because he is the Louis Vuitton Don, and it will probably be appreciated by the pop audience. Let's hope the whole 808's and Heartbreak isn't at this level. It's very possible that it won't live up to the classic standard that Graduation set, but just because Kanye had one off single doesn't necessarily mean he's past his zenith... but it might.
808's and Heartbreakis set to drop on December 16.
Since Dan was so kind to share his summer playlist with everyone, I figured I'd do the same. I tend not to listen to specific songs because it's the summer, so in that sense its not really a "summer playlist" per say, but here's what I listened to over the past few months. Enjoy more!
Titus Andronicus- Titus Andronicus
Embrace The Martian (feat. KiD CuDi)- KiD CuDi
Lights and Music- Cut Copy
Sci-Fi Kid- Blitzen Trapper
Modern Girl- Sleater-Kinney
Drivin' Down the Block (Remix)(feat. Bun B, Pusha T, & The Cool Kids)- Kidz In The Hall
Water Curses- Animal Collective
Teen Drama- Times New Viking
DVNO- Justice
I'm Allways In Love- Wilco
Out Here Grindin'- DJ Khaled
First Class Riot- The Tough Alliance
The Jessica Numbers- The New Pornographers
Man On The Moon- KiD CuDi
What Up Man- The Cool Kids
A Milli- Lil' Wayne
Joga- Bjork
Everyone Nose (Remix) (feat. CRS & Pusha T)- N.E.R.D.
Today I sat down and looked back at the summer, and thought about the upcoming school year, and realized that I don't have much to look forward to other than the new releases from Kanye, Deerhunter, Eminem, and the eventual print release of Amplified. Until us at Amplified sit down in the Cohen Dining Commons and share an eating experience and discuss the logistics of printing a magazine, this blog will have to suffice. While you wait for Amplified to become a full-fledged magazine, here's my post-summer summer playlist so I can listen to summer even during the middle of winter. Enjoy!
Seventeen Years- Ratatat Pa' Bailar- Bajofondo Ce Jeu- Yelle & Down- Boys Noize You, Me and the Bourgeoise- The Submarines The Chills- Peter Bjorn & John Get Over It- Ok Go Sunrise- Yeasayer The World Should Revolve Around Me- Little Jackie Electric Feel (Justice Remix)- MGMT Ooh Yeah- Moby Dr. Carter- Lil' Wayne Miami- The Tough Alliance I'm Not Gonna Teach Your Boyfriend How To Dance With You (The Twelves Remix)- Black Kids Melody Day-Caribou Hanging On Too Long- Duffy Marquee Moon- Television Butcher's Tale (Western Front 1914)- The Zombies Hung Up- Madonna Seven Nation Army- White Stripes
The Virgins self-titled LP, The Virgins, released on June 3, is a semi-reproduction of their original 2007 five song LP with an addition of five new songs. While some claim that the original album was recorded better than the ten song LP, the alteration of the original five songs was somewhat negative because the music was less raw and more fashioned. Still, this styling quartet, famous for their trademark rolled up skinny jeans, generated a fantastic group of songs worth listening too. The final cut of the album which some have called too short is composed of 10 very well crafted songs which fit snuggly together.
The Virgins is an easy listen to from start to finish. Often compared to The Strokes, Franz Ferdinand, and We are Scientists, the four man band is powered by four talented musicians: Donald Cummings, Wade Oates, Eric Ratensperger, and Nick Akerman. Singer Donald Cummings is reminiscent of Elvis Costello and his captivating voice really is the basis for the success of these songs. The Virgins’ sound can be described as Indie-infused 80’s disco music with a catchy yet dirty pop sound. The funky beats, upbeat bass lines, and overall fast tempos will move your body and get you to dance. The hipster New Yorkers pass on many elaborate stories through their somewhat poppy songs ranging from their experiences in New York including those about rich girls, crazy parties, and sex affairs. The genuine lyrics come directly from frontman Cummings’ tough life, who spent time homeless on the streets of New York. To some, the lyrics may seem over-explicit or ridiculous but fellow New Yorkers can relate to topics ranging from growing up in the big city, nights in the park, getting high, and casual sex. Cumming’s voice is able to move from tender to strong intonation, the whole time maintaining a sexy New York sound. All of the songs on the album manage to have grand choruses’ which beg you to sing along.
Rich Girls clearly is the hit of the album because of its playful sound, which was able to switch from funk to pop to rock with lyrics like “Hey, rich girl! / Well, can you tell me why/ You're so stuck up?” Love is Colder Than Death has a poppy-funk sound and is really held down by the great bassline and the distorted guitar hits. One Week of Danger comes off with an old-sound kind of vibe and resembles a rocker version of the song I Like The Way You Move by Bodyrockers. The Virgins slow down a bit in Fernando Pando their ballad about one high lover searching for another. And Hey Hey Girl which is composed of a simple progression and basic chord changes, has a cleaner California type sound and a really catchy chorus describing a wild teen girl living an intense life of partying in the city. I only give the Virgins 4 ½ stars because their sound was somewhat altered when redone, but the album was a treat to listen to. If the Virgins keep making records like this one they will become stars. Along with MGMT's debut Oracular Spectacular, The Virgins is definitely one of my favorite albums of the year, and I strongly recommend purchasing it.
Like many of you devoted Amplified readers who have been swept away by Kanye West and his band of merry gangstas, I have been eagerly awaiting the new Kanye West album since the day Graduation leaked last August. On this historic date, September 4th, 2008, less than a year after Graduation was released, Kanye West has announced a new album to be released this coming December. New York Magazine stated that "Kanye West has now solidified his status as the world's most productive person," and us Yeezy-heads at Amplified could not agree more. After writing the story line for animated Good Morning music video, producing a new Jay-Z album, collaborating with "The Internet's Favorite Rappers" T.I., Lil' Wayne, and Jay-Z on the new track Swagger Like Us (featuring the worst use of an M.I.A. sample known to man), traveling the world with the Glow in the Dark tour, launching a restaurant ownership corporation, and writing a book of inspirational quotes given out after every performance, we are still amazed that Kanye can have the time to create fresh new songs about drunk and hot girls while sampling Daft Punk. Kudos.
On this night, the eve of the first day of school, I figured I'd post the most awesomest cover of the most awesomest summer song ever written as a tribute for the all too short season as it comes to a close. Enjoy and get ready for a fantastic school year!
The veteran band Marah has created a small, but passionate and devoted fan base. Although the band formed in the early 1990's and released their first full-length album over ten years ago in 1997, they remain relatively unknown to the general public. The band's obscurity, however, largely contributes to their uniqueness.
Dave Bielanko, from Conshocken, Pennsylania, formed the band with two other members, Danny Metz and Ronnie Vance in 1993. Two years later, Dave's brother, Serge Bielanko, joined the band. Throughout the subsequent years, the Bielanko brothers would stay in the band, trading in and out various other members. Currently, Dave Bielanko (vocals, guitar, banjo), Serge Bielanko (guitar, harmonica, vocals), Christine Smith (keyboard, accordian), Johnny Pisano (bass), and Joe Gorelick (drums) make up the band.
Of their thirteen albums, 20,000 Streets Under the Sky (2002) and If You Didn't Laugh You'd Cry (2005) are two classics. Both albums share the unique sound that is Marah, but still have their own idiosyncrasies and unique quirks.
In their earlier album, If You Didn't Laugh You'd Cry, shows Springsteen-like energy and purity in each song. In their more mature album, If You Didn't Laugh You'd Cry, the hard rock sound coupled with more melodic tunes creates the perfect balance of the band's obvious passion for music and easy listening. The album starts of with the energetic song "The Closer," which immediately captivates the listener.
Anyways, I highly recommend listening to either of the aforementioned albums or any other one that interests you.